Cristina Nichitus Roncea

About Cristina Nichitus Roncea | Photographer


Cristina Nichitus Roncea / «Precum in cer, asa si pe pamant» – Calatorie foto prin lumea ortodoxa romaneasca. Editura Compania, Bucuresti, 2011.
Intr-o vreme când desacralizarea, confuzia şi, mai presus de toate, păcatul sunt atotputernice, fotografiile din acest album au putere reconfortantă. Doamna Cristina Nichituş Roncea a izbutit, prin arta sa, dar, mai ales, prin forţa sufletului, să coboare Cerul pe pământ şi să ne smulgă, fie şi pentru o clipă, din mizeriile cotidianului pentru a ne înălţa într-o lume purificată. Cartea de faţă este, deopotrivă, o sursă de inspiraţie şi o chemare la împărtăşirea unor valori de esenţă divină. Indiferent de opţiunea celui care o va lua în mână – credincios sau ateu – cartea îi va fi de mare folos.
(Acad. Florin Constantiniu)

One magical hour with a ballerina girl

Balerina Bianca Fota (Opera Nationala Bucuresti)






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6 Responses to “One magical hour with a ballerina girl”

  1. Luis Gomez says:

    These are just magical shots! Excellent!

  2. Iustina says:

    Superb!
    O frumoasa si talentata balerina.

  3. doru coroiu says:

    Imi place seria. frumos realizata. Felicitari!

  4. Stacey says:

    Nice photos. I like the angles.

  5. Stef says:

    The forth photo is your best: excellent composition and the perfect exposure to capture the motion at the right time. The dark background (a bit of Photoshop maybe?) make the dancer look suspended in the air by an invisible wire while in perfect harmony with the gravity. Absolutely beautiful!

    I like the light in the sixth image: I’ve always been impressed by back lighting (contre-jour) when mastered with art. The composition gives this shot life despite depicting the static posture of the ballerina. A discrete key-light helps to preserve enough details so we see more than just a silhouette without sacrificing the glow of the edges and the almost angelic thin halo around the head. Is it just the reflection of the light from the window on the walls behind you?

    You really like the big aperture: shallow depth of field to make the subject pop-up and the ability to step down on exposure time to capture motion. Great job!

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